By: Jolie Featherstone [CW: Violent punishment, religious trauma, forced birth, miscarriage, newborn murder] IT girl Sydney Sweeney (Anyone But You, Madame Web) puts herself in motion to be the next Scream Queen in the blood-soaked, religious horror film Immaculate.
By: Jolie Featherstone Funny and charming, French Girl takes audiences back to the classic romantic comedies of the 2000s in this impressive feature-length directorial debut from James A. Woods and Nicolas Wright.
By: Jolie Featherstone Filmmaker Rose Glass follows up her sharp horror film Saint Maud with Love Lies Bleeding – a grimy, sexy, wild ride. A stylistic and psychedelic blend of self-aware Americana meets noir, Glass delivers a heady acid trip of a love story.
By: Jolie Featherstone Ilker Çatak’s award-winning feature The Teachers’ Lounge is a scintillating, modern-day fable.
By: Jolie Featherstone Ariane Louis-Seize’s feature film directorial debut, Humanist Vampire Seeking Consenting Suicidal Person, is an intriguing horror-dramedy that has the makings of a cult classic. Think gothic Wes Anderson, or Richard Ayoade’s Submarine (2010) meets Tomas Alfredson’s Let The Right One In (2008).
By: Jolie Featherstone Origin is Ava DuVernay’s latest film and it is, quite simply, a masterpiece.
By: Jolie Featherstone Jen Markowitz’s documentary Summer Qamp follows several teens as they attend Camp fYrefly – a camp in rural Alberta where queer, non-binary, and trans teens get to be themselves, surrounded by peers and counsellors who can relate to their experience. From the moment the campers arrive, the camp implements a framework of care. Whether it’s coming out as trans or climbing a rock wall, the campers are supported.
By: Jolie Featherstone Joanna Arnow directs, writes, edits, and stars in the smartly droll The Feeling That The Time For Doing Something Has Passed, a feature-length directorial debut that takes an unflinching, but not bleak, look at Millennial ennui.
