By: Jolie Featherstone A good ol’ monster movie meets dimy-lit-wood-panelled whodunnit, Josh Ruben’s Werewolves Within offers a modern take on the creature feature that is equal parts quirky and charming.
Genuinely creepy and a bit corny too, Let Us In is a fun sci-fi/horror that starts off strong, but doesn’t deliver in its third act.
Is a movie still a success if it didn’t come through on its initial promise, yet still left an effective impression? I had a similar reaction earlier this year to Saint Maud, and here I am again with Censor, a horror from writer/director Prano Bailey-Bond that moved me even though I was never truly scared.
Actor-turned-filmmaker Pat Mills has made some great comedies (Guidance, Don’t Talk to Irene), and he’s currently challenging himself by branching out to different genres (CBC Gem’s short-form series Queens dabbles with mystery, for instance). The Retreat is Mills’ shot at making a straightforward horror-thriller, and it doesn’t go as straightforward as his previous endeavours.
Nicolas Cage’s cult appeal becomes rusty in Willy’s Wonderland, a tongue-in-cheek horror-thriller featuring the actor squaring off against animatronic creeps in an abandoned children’s play place.
In the Earth is the first truly effective COVID-era horror/thriller. Mostly because it doesn’t call attention to the virus, and rather uses its inflections throughout this terrific biological (and supernatural) chiller.
In the spirit of American Movie and Raiders!: The Story of the Greatest Fan Film Ever Made, Sam & Mattie Make a Zombie Movie is a fun movie about the indie filmmaking process. This time, audiences watch aspiring filmmakers Sam Suchmann and Mattie Zufelt, best friends since hitting it off at the Special Olympics as youngsters, as they attempt to cut their teeth making the most outrageous party-horror ever made. Their dream project is titled…
If Saw’s Jigsaw Killer received his doctorate in marriage therapy, his counselling would resemble the drawn-out home invasion portrayed in Held, a sanctimonious and straight-up stupid thriller that squanders its potential for big scares in small spaces.
Like many horror films, Know Fear begins with a house – a house with a dark past. Shortly after Wendy (Amy Carlson) and Donald (David Alan Basche) move into the house, Wendy begins experiencing strange sensations that overwhelm her. The family learns that Wendy has been possessed by a demon, and the only way to save her is to use a book to enact a ritual that will allow different members of the family to…
A possessed pair of jeans wrecks havoc on retail workers in Slaxx, a Canadian horror-comedy from the producers of Turbo Kid that isn’t nearly as funny as that pitch but wins the audience over with outrageous and relentless kills.