Tesla, written and directed by Michael Almereyda (Hamlet , Majorie Prime), explores the famous Serbian inventor with an ostensible inventiveness in both narrative and form. While the experimentation is welcome and even appropriate, its application is uneven and questionable, and leads to an uncertain overall thesis.
As someone who – sheepishly – isn’t qualified to compare this remake to its original source material (the 1973 classic starring Steve McQueen and the books written by Henri Charrière), I can tell you that as a standalone prison drama, Papillon works very well.
Fleeting moments of marital bliss is the subject of Rebecca Addelman’s Paper Year, a film that explores the tumultuous first year of marriage between two millennials living precariously in Los Angeles. Although largely sympathetic to its central couple, Paper Year often feels like it would have more potential as a cautionary tale for young lovers trying to make it big in the entertainment industry. Though, perhaps it is the balance between sympathy and cautionary that…