Zola, to an extent, is experimental with its narrative. While it flows coherently, the film is very much still in tune with its source material – a series of tweets explaining a story that’s “strange yet true” – and presents itself as someone spinning you a wild yarn (intercut with tangents and outbursts).
Is a movie still a success if it didn’t come through on its initial promise, yet still left an effective impression? I had a similar reaction earlier this year to Saint Maud, and here I am again with Censor, a horror from writer/director Prano Bailey-Bond that moved me even though I was never truly scared.
A seemingly innocuous house party takes a grim turn in Travis Turner, the latest hangout movie from provocative writer/director Mike Klassen (9 Days with Cambria, Crackerhead).
Written and directed by Ryan Noth (No Heart Feelings), Drifting Snow depicts a rural Ontario winter in all its frozen glory. But, tangled timelines and poor pacing hinder what could otherwise be a compelling drama.
Painkiller is more of a mouthpiece than a movie. The filmmakers are so excited by the film’s premise, that they would rather table action sequences and tense showdowns to have discussions about Big Pharma and the opioid epidemic it seems to be encouraging. I admire their enthusiasm, but this attitude has distracted them from making a good movie.
By: Jolie Featherstone Shelly Love’s feature film directorial debut A Bump Along the Way is an emotionally intelligent dramedy about a mother and daughter coming-of-age together at different points in their lives.
By: Trevor Chartrand A brilliant slice-of-life comedy, The Outside Story is a charming and lighthearted little film. This day-in-the-life movie tells the story of Charles Young (Hotel Artemis’ Brian Tyree Henry), an introverted video editor who’s down in the dumps after splitting up with his ex. After accidentally locking himself out of his apartment, this homebody is forced to stop and smell the roses in his neighbourhood for the first time since he moved in. While…
By: Trevor Chartrand Based on a true story, 398 Days: Hostage is the harrowing account of a Danish photographer captured, tortured and held hostage in Syria for over a year. Young and ambitious, our protagonist Daniel Rye Ottosen (Esben Smed) is an Olympic contender with the Danish gymnastics team, until a knee injury shatters his dreams of pursuing the gold medal. Short on prospects and in need of work, Daniel starts his career over with…
Strong performances and intimate cinematography elevate an otherwise so-so drama in writer/director Kerem Sanga’s The Violent Heart.
