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Spy Kids: Armageddon

The once reliable Spy Kids franchise finds itself, somewhat, back on track with the Netflix feature Spy Kids: Armageddon.  It isn’t a flawless endeavour, but the movie offers enough reassurance from filmmaker Robert Rodriguez that audiences will believe that the series may actually have potential to be rebooted properly in the future.

Reviews

The Retirement Plan

Everyone’s favourite Nicolas Cage (The Unbearable Weight of Massive Talent) is back playing another enigmatic oddball.  However, the role doesn’t play towards the actors usual blend of ticks and outbursts but rather, and unintentionally so, reflects the movie he’s starring in.

Reviews

The Monkey King

The universe has sent me a remedy after slugging through last week’s Toopy and Binoo The Movie.  That medicine is Netflix’s The Monkey King, an action-packed fantasy that’s inspired by Chinese literature and works as a tribute to the comic humour of Stephen Chow (Shaolin Soccer, Kung Fu Hustle, Journey to the West).  Chow serves as an executive producer on The Monkey King – the production must’ve been tickled pink.

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The Channel

By: Trevor Chartrand The Channel, directed and co-written by William Kaufman, is a sub-par action-thriller that lacks charisma and crowd-pleasing charm.  A typical B-Movie in almost every way, the film feels completely unoriginal and uninspired, borrowing many tropes and concepts from much more successful films.

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The Out-Laws

Your enjoyment of The Out-Laws will depend on how much you like (or can tolerate) Adam Devine.  The former Workaholics up-and-comer, who has gradually been carving out a career as a leading man, is centre stage in Happy Madison’s action-comedy.  As someone who has always been entertained by Devine’s roles (the Pitch Perfect franchise, Mike and Dave Need Wedding Dates, When We First Met, Game Over, Man!, Isn’t It Romantic), Adam Devine’s goofy performance in…

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Wrath of Becky

Becky was an outrageous home invasion thriller that made for ideal late-night entertainment.  The movie didn’t necessarily warrant a sequel but, if it set out to be as fun as its predecessor, I’d welcome it.  After watching Wrath of Becky, I wish I had reconsidered.

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Mighty Morphin Power Rangers: Once & Always

Mighty Morphin Power Rangers: Once & Always is almost experimental in its nostalgia. It doesn’t nudge or wink at the viewer, and it shows that it isn’t “in” on any meta jokes or gags. And, it doesn’t feature outsiders trying to copy an older property (ala The Three Stooges). Instead, this exclusive hour-long special for Netflix, made by people who are more than experienced with this long-running show, plays out like a two-parter without Saturday…

Reviews

Mafia Mamma

Mafia Mamma is a badly executed fish-out-of-water movie that features rushed filmmaking and a slipshod script, as well as lavish destination scenery and good-looking men and women practically straddling the leading lady.  Not a good look for either director Catherine Hardwicke (Thirteen, Twilight, Miss Bala) or producer/star Toni Collette, who reunite since working together on 2015’s Miss You Already.

Reviews

Simulant

Simulant is a good recommendation for those looking for a solid sci-fi action/thriller and in-the-moment entertainment.  The film doesn’t have much resonance after the credits roll, but I thoroughly enjoyed being in this futuristic story that’s executed well enough by director April Mullen (88, Farhope Tower, Badsville) and adequately written by screenwriter Ryan Christopher Churchill.