Articles by Addison Wylie

Reviews

Kicking Blood

Kicking Blood is a really goofy vampire flick, and I’m not sure how much if it is intentional.  I was entertained nonetheless by Blaine Thurier’s film, even if it’s a bit of a buzzkill during the final third.

Reviews

Memory

After so many of “the same” Liam Neeson movies, I can see why the actor would be tempted to accept the lead in Martin Campbell’s Memory even though it skates close to the same uninspired style he brands himself with.

Reviews

Dual

Dual is a nifty near-future sci-fi that starts with an interesting and obviously satirical premise and elevates it to make comments on the dire state of personal interactivity.  It’s well-trodden territory for this genre, but writer/director Riley Stearns (The Art of Self-Defense) still finds original ways to keep his audience laughing, entertained, and on their toes.

Reviews

We’re All Going to the World’s Fair

There’s a lot of ambiguity at foot in Jane Schoenbrun’s We’re All Going to the World’s Fair and, for some, the film will offer too many “inconclusive” story threads.  However, that ambiguity is what makes Schoenbrun’s movie creepy and disturbing, and opens the film up to various discussions about selling your life to the Internet.

Reviews

All My Puny Sorrows

All My Puny Sorrows, directed by One Week’s Michael McGowan, is cut from similar cloth as last year’s outstanding, sad drama Our Friend.  Carried by a small yet mighty cast who are all approaching sensitive material under the guidance of a cautious filmmaker, All My Puny Sorrows tracks how deep mental illness can run within a family’s dynamic, and how it affects its members.

Reviews

Minamata

Minamata was in the running for the inaugural Fan Favourite Oscar earlier this year.  The primary issue: nobody really knew what Minamata was.  It was a nominee that was championed by Johnny Depp’s loyal fanbase, and the dedication resulted in the mystery movie coming in third-place ahead of Spider-Man: No Way Home and tick, tick…BOOM!.

Reviews

Family Squares

Conceived and recorded primarily through a video chat platform, Stephanie Laing’s Family Squares attempts to connect with movie goers who have lost loved ones during the COVID-19 pandemic and have been restricted from a personal goodbye.

Reviews

Mothering Sunday

Mothering Sunday is, at least, commendable for the swings it takes.  Instead of following a typical period drama formula, director Eva Husson (Bang Gang [A Modern Love Story]) and screenwriter Alice Birch (Lady Macbeth) explore a titillating affair through several time-jumping perspectives.  At first, it’s frustrating to keep up with the pace that’s further developing the romance between housemaid Jane Fairchild (Assassination Nation’s Odessa Young) and elite gentleman Paul Sheringham (Josh O’Connor of God’s Own…

Festival Coverage

Canadian Film Fest ’22: The Last Mark

In this efficient “hitman with a heart” tale from director Reem Morsi, The Last Mark is a confined thriller starring a conflicted crook (Shawn Doyle) and a kidnapped call girl (Alexia Fast) reeling for a “job” that went sideways after the escort witnesses the murder.  The characters hide out at a safe house arranged by a fixer (Ashgrove’s Jonas Chernick) to escape the hitman’s unpredictable partner-in-crime (Bryce Hodgson).  The dynamic between the unlikely fugitives is deliberately…