After some minor big screen stints and continuing with its long-running success on television, PAW Patrol makes a flawless leap to feature-length with PAW Patrol: The Movie – essentially cobbling together four missions into an entertaining movie for families.
Articles by Addison Wylie
An impressive cast, an experienced screenwriter, a respectable director, and an amazing fight choreographer have collaborated to make the staggeringly dull revenge thriller The Protégé, a film that is reminiscent of so many indulgent knockoffs of Quentin Tarantino’s work.
12 Mighty Orphans may be a formulaic sports movie telling a familiar underdog story, but the movie follows the template well and elevates the narrative with good performances and on-screen chemistry.
Mikey McMurran’s long-awaited sophomore effort The Final Ride reunites the filmmaker with headliners from his former horror flick Secret Santa. Watching this reunion made me nostalgic for Secret Santa; the humble “lil’ slasher that could” catching on through word-of-mouth and becoming a hot commodity at 2015’s Blood in the Snow Canadian Film Festival – midnight screenings were either sold-out or close to selling out. The Final Ride has that same Midnight Madness appeal, but it’s a…
The Exchange is pitched as a film by Borat co-writer Dan Mazer. The ad campaign conveniently omits Mazer’s more recent effort Dirty Grandpa, a hard-R gross-out comedy that was dragged by critics and audiences alike although I feel like those reactions were over-the-top and unnecessary. This exclusion, though, may not be because of Dirty Grandpa’s negative reception, but because The Exchange has more in common with Borat – to an extent.
Michael Sarnoski’s feature-length directorial debut Pig is about a recluse truffle hunter (Rob played by Nicolas Cage) who is need of answers after his truffle-finding pig is stolen – the John Wick comparisons are unavoidable. Both movies feature an actor-turn-cult icon playing an enigmatic strong-but-silent type who has the main motivation of reuniting with their animal companion. It’s already been clarified by audiences who have embraced Pig that Sarnoski’s movie couldn’t be more different, with…
Not very often do audiences receive a biopic as pointless and embarrassing as Creation Stories. Then again, the filmmaker could still benefit from a turkey like this. If they believe their biopic holds valuable nostalgia or fan service, ham-fisted qualities can be forgiven by movie goers, allowing the movie to even win Oscars. It worked for Bohemian Rhapsody.
Zola, to an extent, is experimental with its narrative. While it flows coherently, the film is very much still in tune with its source material – a series of tweets explaining a story that’s “strange yet true” – and presents itself as someone spinning you a wild yarn (intercut with tangents and outbursts).
Following up on my horrible time watching (and trying to keep up with) The Boss Baby: Family Business, I prepared for Peter Rabbit 2 with trepidation considering I hadn’t seen its predecessor and I wasn’t sure what would be in store. But, to my surprise, Peter Rabbit 2 was breezy and amusing. Absolutely innocuous, but it’s a cute children’s film that maintains its momentum and sets up some great slapstick and sustains its heartfelt themes.
I find it strange that Blumhouse Productions would continue with The Purge series. Financial returns and core fanbase aside, The Purge had just about explored all of its themes, politics, and ideologies – and all of it was practically satirized in jet black manner with Blumhouse’s The Hunt. It’s almost expected that a new Purge movie would just be going through the motions, which is exactly what The Forever Purge does.