Environmental lawyer Aurora (Noëlle Schönwald) has sought out refuge in Canada after her husband is mysteriously killed. She flees across the border from Columbia and then, after some additional information is explained about Aurora’s backstory, the film fast-forwards to the refugee’s contemporary lifestyle in Toronto. Despite finding new roots and separating herself from the past, recent sightings of her late husband around the city have Aurora second-guessing her identity.
Articles by Addison Wylie
Set in the early-2000s, I Like Movies alternates between the double life of 17-year-old Burlington native Lawrence Kweller (Isiah Lehtinen) as an outspoken high school senior and an obsessive film buff at his local video store, Sequels Video. Lawrence is an opinionated know-it-all under both roofs, but he feels more in his element at Sequels and is elated when they finally hire him on as an employee.
As much as I would love to compare David Cronenberg’s Crimes of the Future to his earlier horrors, I’m afraid I’m unqualified because I haven’t seen enough of that catalogue. However, I can see a contrast between the Canadian’s long-awaited return to filmmaking and his other recent dramatic work such as A History of Violence, Eastern Promises, and A Dangerous Method – all of which also star Viggo Mortensen. Crimes of the Future, a gruesome…
Just when you think disingenuous spiritual leaders have been satirized every which way, along comes Honk For Jesus. Save Your Soul. from filmmaking siblings Adamma and Adanne Ebo (the former wrote and directed, the latter produced). The Ebos offer an original perspective with their feature film debut and, despite the familiar material, the film stands as a really strong dark dramedy about redefining redemption.
As rude and unappealing Funny Pages can be, it’s a brutally honest and funny character study of a young artist who channels trauma and grief into his aspirations to be a successful cartoonist. A true tale of an unlikely opportunist.
The Good Boss offers a mannered approach to the self-destructive character study; separating it from similar company pitched in a much more frantic, anxiety-inducing tone (Nose to Tail, Uncut Gems).
If you listen closely, you can hear the faint mouth-sounds of lightsaber beams. It’s the sound of a Disney fan pretending they’re Obi-Wan Kenobi as they circle September 8 on their calendar – Disney+ Day. Along with festivities taking place globally across Disney Parks, Disney+ subscribers will be given sneak peeks of upcoming projects as well as early perks. Ranging from early access to blockbusters and newly released Disney productions, to re-released exclusives, to early…
I can’t remember that last time I wanted to grab the reigns of a movie as badly as I did while watching Sharp Stick, Lena Dunham’s return to directing self-written material since her acclaimed HBO series Girls. With this latest endeavour, Dunham is heading in a good direction with interesting and peculiar characters and then, two-thirds through the movie, Sharp Stick takes a hard turn into another character arc that seems like an unfair trade-off…
The Territory is a sobering reminder of the constant fear and danger Indigenous communities face day-by-day.
Orphan: First Kill, to an extent, pulls off its ambitious goal of being a prequel to a 13-year-old movie using the same leading actor.