The Club firmly designates Pablo Larraín as a great subversive filmmaker, if only because of how cleanly the film takes down one of the most powerful ideological state apparatuses.
By the end of the month, faithful viewers of the Academy Awards will see if Ciro Guerra’s Embrace of the Serpent is able to beat out the other pictures competing for Best Foreign Language Film of the Year. I can’t comment if Guerra’s film is better than the other contenders, but I think the Academy was very generous by nominating it in the first place.
Jesse Owens is a fascinating individual and he absolutely deserves a biopic, but Race is not it. Interestingly enough, the title gives away many of the film’s faults: it conflates racism and running to an uncomfortable degree. Stephen Hopkins’ movie is almost completely devoid of subtlety – it’s so naive, it hurts.
It’s the classic love story: girl commits self, girl meets boy, boy and girl spiral each other into massive manic episodes. You know, the usual.
The Witch is an unconventional horror film in execution and in subtext. Rarely do horror films so actively interrogate colonial and contemporary gender politics in such an illuminating and liberating way.
For two-and-a-half years, Stefan Phillips has been working on his first feature length film titled The Pasta Killer with frequent collaborators that make up his YouTube ensemble ‘UnorthodoxPoppycock’. The project – a faithful film noir – was a labour of love.
Four English astronomers hit the road to celebrate fifty years of their time with each other and in their field of work. They stop at telescopes they have histories with and reflect on the past. It’s a reunion that could’ve been more special and intimate if filmmaker Alison Rose wasn’t trying to retrofit these men and their stories into a boring documentary.
Portrait of a Serial Monogamist, so far, is the best Canadian indie of the new year. Filmmakers John Mitchell and Christina Zeidler have co-wrote and co-directed an identifiable and balanced film about stalled romance.
Addison Wylie 2015 cranked out a lot of great movies. I was actually able to form a “best of” list before even thinking of those cinematic duds. However, that doesn’t excuse the following films. These frustrating films put my patience to the test, even so far as to push me out of the movie altogether. Don’t worry though, I returned to finish that defeating film. And, yes, it was the worst film I saw all year.
Real-life couple Ryan K. Scott and Jeannette Sousa wrote, produced, and star as the leading couple in director John L’Ecuyer’s cross-cultural romantic comedy, A Date With Miss Fortune. The film also features appearances by two well-known Canadians: Grammy award-winning musician Nelly Furtado and George Stroumboulopoulos – consider it a Score: A Hockey Musical reunion for the celebrities.