By: Trevor Jeffery Using the words “unabashed” and “propaganda” together seems redundant, but there isn’t a better way to describe James McTeigue’s Survivor. Kate Abbott (Mila Jovovich) is an officer with the US embassy in London. While on duty, Kate asks a few too many questions to a man she suspects to be (and actually is) a bio-terrorist, before letting him through customs. This sets him and his associates into freak-out mode, and they hire an…
By: Addison Wylie Early on in Results, two workout trainers are telling the other not to provoke them. These two trainers are Trevor and Kat, played by Guy Pearce and Cobie Smulders. Over the course of Andrew Bujalski’s film, the audience finds out that these two characters need to be provoked in order for them to be challenged, which in turn makes Results interesting. The person who does most of the poking and prodding is…
By: Addison Wylie Henry Hobson has been given a one-of-a-kind opportunity to showcase Arnold Schwarzenegger’s never-before-seen tender side with Maggie. I welcome my readers to send in examples of other low-key films the Terminator star has acted in, but I expect to receive no tips. The post-apocalyptic film also hands the filmmaker a chance to re-imagine zombie movies that star “the infected”. Screenwriter John Scott 3 has crafted a story concerning the rights of the…
By: Addison Wylie Adam Carolla plays curmudgeon comic Bruce Madsen in Road Hard, a semi-autobiographical sophomore effort co-directed and co-written by Carolla and frequent collaborator Kevin Hench. Maden feels like he’s in the shadow of everyone more successful than him. This film would probably feel the same way about its presence next to Judd Apatow’s Funny People. That said, I know a lot of people who quiver just thinking about Apatow’s expansive ode to comedians….
By: Anthony King GOING IN: A small disclaimer here before we get started: I love these types of movies. If your movie has Kings, Knights, sword battles and even wizards, then I’ll probably be into it. I’ve been known to enjoy movies more and even give them a pass on a few of their flaws just because I like being in that world so much. I didn’t even hate Season of the Witch with Nicolas…
By: Addison Wylie David Cross is one of the best comedians working in the business today. His blunt, unmerciful opinion carries through his routine as he nails each punchline with the right amount of sarcastic wit. But as clever as he is, Cross’ brand of curt comedy needs to form in a new direction if he plans on carrying on making movies. HITS marks the comic’s directorial debut, and he also penned the screenplay that…
By: Addison Wylie If Evan Goldberg and Seth Rogen are going to be filmmakers, they really should write their own material. Their directorial debut and sleeper hit This Is the End sustained itself because of their clever weisenheimer writing satirizing self-involved Hollywood socialites. With their highly anticipated and controversial second feature The Interview, the pair are responsible for the story along with Dan Sterling. However, this time, they’ve abandoned the screenwriting phase and let Sterling…
By: Addison Wylie The Humbling is one greasy ham of a film. It has no plan. It has no skill. It knows no volume. When director Barry Levinson senses the audience is recognizing how little his film has to offer, he has his actors yell and ramble. Not many movies get more annoying than The Humbling. I had found a redeeming quality in Levinson’s film, and I desperately hoped that detail would grow into the…
By: Addison Wylie With every review, I try to inject some insight as to how I felt while watching the movie. Sometimes, I use humour and metaphors to get my point across. Writing has allowed my voice to travel along some creative routes in order to express an opinion about the medium. There’s no feeling quite like finding a conscious flow to your thoughts. With Gavin Michael Booth’s The Scarehouse, I have nothing interesting to…
By: Addison Wylie There’s a world where rainbows cross the sky day in and day out, animals play in harmony, and shiny people joyfully smile without a care to be had. I know it exists because I’ve just seen Common People, a sweet British film that’s available right now on iTunes to rent or purchase. Stewart Alexander and Kerry Skinner’s film is one of these vehicles where movie goers are dropped off in tiny slices…