Peter Farrelly’s Oscar-winning film Green Book has proven to be a divisive film for audiences, which is strange considering it fits the bill to be a general crowd-pleaser.
There is a certain sort of film that defies classification. The quick description is the sort of film that is not perfect by any stretch of the term, but which contains just a little something that manages to hit on a collective pathos in the audience. Those films release a positive feeling into the audience that can actually be felt when one is in such an environment. Green Book is just such a film: it…
Though it certainly has its charms, Captain Fantastic’s sweet moments and eccentricity fails to mask the serious flaws that begin to surface in the film’s second half.
British filmmaker Philip Ridley’s The Reflecting Skin hasn’t screened in Toronto since its Canadian premiere at TIFF in 1990. Given its vibrant formalism and unconventional approach to genre, Ridley’s first feature simply may have been unable to find a broader audience. However, the film works well for cult film audiences.