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Festival Coverage

TIFF 2015: ‘Invention’

By: Addison Wylie It takes patience to mull thorough Mark Lewis’ Invention.  However, even the calmest movie goers may find themselves jiggling their leg and looking at their watch. Invention features visual artist Lewis and a wandering, hovering camera (driven by cinematographers Bobby Shore and Martin Testar) visiting Toronto, Paris, and Sao Paulo.  His feature film debut asks audiences to find fascination in minor details.  The camera floats, locks in on open, negative space and waits for…

Reviews

Fantasia Fest 2015: ‘The Demolisher’

By: Addison Wylie Director Gabriel Carrer’s screenplay of The Demolisher is practically speechless until 18-minutes into the film.  However, the audience is so acquainted with the heart-aching leads by then, that Carrer’s film could’ve gotten away with completely being a silent film. If film critic-turned-filmmaker Chris Alexander is carrying out a similar yet more minimalist approach with the horror genre, Carrer could’ve done the same with this crime thriller.  Nonetheless, The Demolisher is really good.  And…

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AKP: Job 27

By: Addison Wylie When the only bad thing about your feature film debut is its marble-mouthed title, it’s a sign that your ambitious film is close to being sublime. When you get past that weak title, AKP: Job 27 is a really good time at the movies.  It treads trodden ground by being centred around a private hitman on a mission in unfamiliar territory (the territory being Toronto), but its Michael L. Suan’s vision of…