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Rom Com

Red Carpet

Wylie Writes on the Red Carpet: ‘A Date with Miss Fortune’

On January 28th, Toronto’s Yonge and Dundas Cineplex Theatre hosted a red carpet media screening in preparation for the Canadian release of A Date With Miss Fortune staring Jeannette Sousa, Ryan K. Scott, Vik Sahay (TV’s Radio Active, American Reunion), along with special appearances by musician Nelly Furtado and television personality George Stroumboulopoulos.  John L’Ecuyer’s romantic comedy about what happens when a struggling screenwriter clashes with his new girlfriend’s traditional and eccentric Portuguese family has already been released…

Reviews

A Royal Night Out

By: Shahbaz Khayambashi What do you get when you mix together the worst parts of modern royalsploitation, teenage “girls just wanna have fun” cinema, and a hint of “war is bad, but support the troops”?  Julian Jarrold’s insipid A Royal Night Out, the sort of imperialistic romantic comedy that would turn a hopeless romantic into a hardened cynic!

Reviews

Meet the Patels

By: Shannon Page Sibling filmmakers Ravi and Geeta Patel’s Meet the Patels is a feel-good documentary/romantic comedy hybrid that achieves everything that it sets out to do.  The film, which began as a home video of a trip that the Patel family took to India, follows Ravi’s journey to find the woman of his dreams while navigating the expectations of his Indian-American family as well as his own connection to his cultural and heritage.  It…

Reviews

Before We Go

By: Addison Wylie I’ve accused some filmmakers and actors of being secret admirers of romances and rom-coms.  Chris Evans (Captain America himself) can be added to that list for he not only frequents rom-coms (including this year’s smug Playing It Cool), but he has also unwisely started his directorial career with the lovey-dovey Before We Go.  Evans’ romance doesn’t give in to typical clichés – it throws itself at them. Pardon the blasé backlash, but…

Reviews

How to Make Love Like an Englishman

By: Addison Wylie How to Make Love Like an Englishman is such a long title.  A shorter alternative would be: Weekend Matinée for Mom and Dad. Like last year’s cloying And So It Goes, Tom Vaughan’s rom-com is a film that uses the likability of its stars as counter programming to attract movie goers – primarily older ones who want to spend the tail end of Summer distancing themselves from bombastic blockbusters.  Luckily, How to Make…

Reviews

Trainwreck

By: Addison Wylie Trainwreck is much more than a vehicle for rising comedic star Amy Schumer.  It’s easily Judd Apatow’s strongest work as a filmmaker, evidence that Schumer’s honesty flows through her long form screenwriting, and the best romantic comedy this critic has seen since 2008’s criminally underrated Definitely, Maybe. Definitely, Maybe is a standard sort of rom-com, where Trainwreck sends home the same type of charm but also reflects contemporary pessimism towards romance.  It…

Reviews

After the Ball

By: Addison Wylie I went into After the Ball already admiring three of its main stars: director Sean Garrity, co-writer Kate Melville, and actress Portia Doubleday.  After the Ball isn’t a type of film I get excited to see, but these are three people I’ve been wanting to see more of ever since they’re strong debuts. Garrity impressed me with his slow burn drama Blood Pressure, yet temporarily lost me when his filmmaking pizazz was…

Reviews

Playing It Cool

By: Addison Wylie Playing It Cool has its cake and eats it too, and knows damn well what it’s doing.  However, director Justin Reardon is no David Wain or Charlie Kaufman, and Playing It Cool is nowhere near as clever as They Came Together or Adaptation. Reardon ventures into feature films with this smug rom-com send-up involving a bitter screenwriter (played by Chris Evans) who is given the task of writing a romantic comedy.  He…

Reviews

And So It Goes

By: Addison Wylie The conception of a movie like And So It Goes doesn’t so much start with an outline or a series of ideas.  It begins with a demand no one has demanded; except for zealous producers who think they know their desired demographic. The general public likes Michael Douglas and those same patrons are most likely to enjoy watching Diane Keaton.  The brains behind And So It Goes have taken these two variables…