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The World to Come

The World to Come, the second feature from Norwegian filmmaker Mona Fastvold (The Sleepwalker), is a plodding meditation on love and grief that is salvaged from mediocrity by the palpable chemistry between its lead actors.  Still, the film doesn’t offer much that is fresh of exciting and rehashes some tired lesbian period piece tropes.

Reviews

Emma

Audiences have been spoiled with unique period films – Whit Stillman’s Love & Friendship, Yorgos Lanthimos’ Oscar winner The Favourite, and Greta Gerwig’s take on Louisa May Alcott’s Little Women.  We’ve been shown that these rustic movies can exist outside of a formula, which makes Autumn de Wilde’s Emma a bit of a retrograded step.  But, the conventional choices can be explained.

Reviews

Pilgrimage

Pilgrimage will be known as “that movie where the Punisher fights alongside monk Spider-Man”.  By that, I mean Tom Holland (Spider-Man: Homecoming) and Jon Bernthal (Netflix’s Daredevil and The Punisher) have starring roles in Brendan Muldowney’s action/drama about a monastery’s dangerous mission.

Reviews

Ida

By: Addison Wylie The concept of a devout character finding out their secret past is always going to be an intriguing premise – especially when the unexplored involves religion. That’s what happens to Anna in Pawel Pawlikowski’s Ida.  Before she takes her vows of being a nun, Anna’s urged to meet with her only living family member.  She sets out to meet her estranged Aunt Wanda, and fortunately does.  She’s informed by her agitated Aunt…