By: Jessica Goddard Campy, far-fetched, but generally fun, Tate Taylor’s Ma is a passable thriller made watchable by Octavia Spencer’s casting.
By: Trevor Chartrand Guillermo del Toro’s The Shape of Water is a masterfully crafted modern-day fairy tale. An incredible, romanticized take on the creature feature, director/co-writer del Toro seamlessly combines genre and visual style to bring us this beautifully bizarre morality tale.
By: Nick van Dinther There are certain directors that have a specific style audiences can always identify – Quentin Tarantino, Wes Anderson, Tim Burton to name a few. Guillermo del Toro (The Devil’s Backbone, Pan’s Labyrinth) is surely a part of that crew. When it comes to The Shape of Water, del Toro’s style is out in full-force to bring us an unforgettable visual spectacle.
By: Jessica Goddard Gifted is contrived, tired, and – frankly – just plain boring. This story shamelessly and lazily recycles almost every component of its plot to the point where you’re left wondering why you’re not the one making millions writing such basic, formulaic scripts.
By: Nick Ferwerda Mackenzie Phillips (Avatar’s Sam Worthington) is a family man who grew up with a tough childhood. Grateful and married, everything in his life – at this point – seems to be going great.
The titular Gilly Hopkins (Sophie Nélisse) hasn’t had a proper home. She’s barely a teenager and already she’s earned a reputation within the foster care system that’s best described as “difficult”.
The Divergent film series – based on the Young Adult trilogy by Veronica Roth – immediately felt like a cash-in on the success of The Hunger Games film franchise. Divergent is painful in its complexity: set in a typical YA post-apocalyptic future, Tris (Shailene Woodley) must navigate the walled city of Chicago, where factions are systemized by certain characteristics – Erudite is made up of the intelligentsia, Dauntless are warriors, etc. Initiates take a test…