By: Jessica Goddard A loving tribute to man’s best friend, Wes Anderson’s Isle of Dogs is an imaginative, playful, and visually fascinating stop-motion fable that should appeal to animal lovers of every kind. Endlessly clever and unapologetically fun, this movie keeps you guessing and isn’t afraid to misdirect for the sake of a good twist.
By: Trevor Chartrand Director Wes Anderson is at it again with another quirky stop-motion animated feature, his second foray into the genre since 2009’s The Fantastic Mr. Fox. In Isle of Dogs, Anderson’s gone above and beyond to create a clever, stylized, and memorable motion picture.
Goon: Last of the Enforcers arrives five years after the surprise hit Goon, and it’s as if the audience never left these characters. Even though the film is working under a different director (Jay Baruchel taking over for Michael Dowse), this sequel makes sure it stays within the same surly vein as its delightfully crude predecessor.
The original Goon (2011) was a special thing: an indie sports-comedy that was funny without being over-the-top, and heartfelt without being outright cheesy. It was also indisputably Canadian without relying on stereotypes or clichés. The film made the audience care about Doug (Seann William Scott), a dim-witted but kind bouncer from Massachusetts who uses his better-than-average brawling skills to become a professional enforcer for a minor-league hockey team in Halifax. We were invested in his…