Yorkshire farmer Johnny Saxby (Josh O’Connor) has a rough exterior that could be intimidating to others. He’s certainly aware of this power as he reflects his standoff attitude to anyone who criticizes him. But, Johnny is also a closeted gay man, distancing himself with personal conflict and confrontations. He acts on sexual desires with casual flings, but his romantic interests remain indifferent. That is, until he meets a migrant worker named Gheorghe (Alex Secareanu).
Charlie, a queer millennial in New York, is looking for love. His modest expectations are reasonable, yet the mission proves to be a constant bust throughout the course of Prom King, 2010. Charlie chats with friends, family, and other acquaintances within his community (mostly for catharsis or assistance), but these conversations lead to opinions – sometimes closed-minded views – about love, Charlie’s sexual orientation, and dating etiquette.
The David Dance is a stage-to-film adaptation from actor/screenwriter Don Scimé. I haven’t seen his original stage play, but I can figure out a couple of things from the movie: Scimé is a passionate artist who cares very deeply about the themes acknowledged in his work, but not enough compromises have been made by director Aprill Winney to make his original material fill feature film britches.
Is there an animated .GIF that sufficiently portrays your facial expression when you are made aware that you and your twin sibling are dating the same person?
Out of all the stories and characters in Miles, writer/director Nathan Adloff picks the weakest ones to carry his semi-autobiographical indie.
If anything says “fun long weekend at a sunny lake house,” it’s deliberately creating awkward tension with your friends.
There are different ways for a writer to tell a story while tapping into their own personal catharsis. Chris Kelly (co-writer of Saturday Night Live and Broad City making his feature filmmaking debut) has found a vessel in Other People to tell his own semi-autobiographical story by re-capturing snapshots of his ailing mother’s final months.
Unsimulated sex and its utilization in film is a continuing debate between movie aficionados on whether the uncensored acts add to a story or the general moviegoing experience. French filmmakers Olivier Ducastel and Jacques Martineau create a controversial – yet very convincing – argument towards the issue in their minimalist drama Paris 05:59: Theo & Hugo.
By: Shannon Page One of the great things about film festivals is their potential to showcase and foster emerging talent. The Toronto Inside Out LGBT Film Festival’s Local Heroes short film screening is aimed at drawing attention and giving space to local filmmakers. It’s a space where audiences can see what is being created in their own back yards, and where beginning filmmakers have the opportunity to see their work screened alongside more established artists….
Sand Dollars (DIR. Israel Cárdenas, Laura Amelia Guzmán) By: Shannon Page Like the Dominican Republic of its setting, Sand Dollars is both ugly and beautiful; it is complex and often overwhelming in its starkness, yet showcases a landscape that most would equate with paradise. Written and directed by Israel Cárdenas and Laura Amelia Guzmán, Sand Dollars stars Geraldine Chaplin (daughter of the legendary Charlie Chaplin) as an aging European woman who falls in love with a much…