The Little Hours fuses arthouse cinema with modern comedic stylings borrowed from Judd Apatow’s toybox. In other words, it’s a film with lovely cinematography and patient pacing, yet features bawdy behaviour and provocative profanity.
John C. Reilly
One of the most exciting voices of contemporary cinema has hit that point in his career where he needs to make his first English language feature. Thankfully, unlike countless others before him, Yorgos Lanthimos managed to avoid the usual pitfalls of the “first English feature” and results in The Lobster, a film as weird and brilliant as his previous features Dogtooth and ALPS.
By: Addison Wylie The award for this year’s most awkward movie goes to Rick Alverson’s Entertainment, a film rooted in morose career purgatory. Now, the last time I used the term “career purgatory”, it was when I reviewed Lenny Abrahamson’s delightful Frank. Frank presented the argument that an artist stuck in a creative rut isn’t necessarily the end of the world. Entertainment proposes a sardonic rebuttal with a comedian (played by real-life alternative comic Gregg Turkington)…