Humor Me is a fine example of how charismatic actors and a promising new filmmaker can rise above ordinary movie mechanics.
Henry Winkler has a full resume, but he’ll always be known as The Fonz. His son, television director Max Winkler, will surely continue having a fruitful career as a filmmaker after releasing his sophomore effort Flower, an audacious flick for which he’ll be remembered for.
Permission is dressed-up old news. The film looks good and the cast is hip, but the lengths the film will go to explore provocative themes within a relationship are much more common than the film believes.
Audiences were recently subjected to a tasteless dark comedy about understanding death called Considering Love & Other Magic. Thankfully, movie goers can rebound with Suck It Up, another Canadian indie about comprehending grief that actually sticks its landing thanks to fantastic performances and Jordan Canning’s thoughtful direction.
Kumail Nanjiani (played by funnyman Kumail Nanjiani) is a Pakistani-American comedian who meets and falls in love with Emily (Zoe Kazan), a graduate student. Their relationship is already threatened by Kumail’s parents’ insistence that he marry a woman from a Pakistani family, when Emily becomes seriously ill. Written by Nanjiani (usually known for his co-star work in Mike and Dave Need Wedding Dates, Life as we Know It, and IFC’s Portlandia) and the actor’s wife Emily V. Gordon, The…
Tyler Perry apologists may find pleasurable qualities in Sergio Navarretta’s The Colossal Failure of the Modern Relationship. Then again, even those movie goers have seen this sort of romantic peril too many times by now (the Why Did I Get Married? series).
Life can fluctuate, and I believe that’s the point Win It All is trying to make. Then again, filmmaker Joe Swanberg may have just set out to make a straightforward character study, in which case that works too.
I don’t know much about MyFrenchFilmFestival, but Rudi Rosenberg’s The New Kid has made me want to study up on the online global collective.
In Ovum, the audience is quickly introduced to the wonderfully named Calpurnia Dylan, an actor who is going through the motions of frustrating auditions and occasionally dealing with stuck-up filmmakers when she isn’t running late for class.
Michael Seater’s sophomore effort Sadie’s Last Days on Earth solidifies him as a filmmaker to watch for. He’s still budding within his new career, and yet he’s already a master at generating tender authenticity.