By: Addison Wylie I feel it’s almost necessary to start a review for We’re the Millers stating that Jason Sudeikis’ pot dealing character is never shown smoking marijuana or hinting that it could be smoked. I’m also inclined to state that while Jennifer Aniston’s broke, erotic dancer character is occasionally shown in scantily clad underwear, it appears she also works in the only strip club establishment where other dancers stay covered. These may sound like…
By: Addison Wylie Here’s a fun social experiment: try describing the premise of Jacob Vaughan’s Bad Milo to movie goers and see how long it takes for each of those people to give you a skeptical glance or laugh out of nervousness. It’s because Bad Milo is an odd movie with an odd set-up. On the surface, it’s Office Space with a dash of Gremlins mixed in with a rough night after some bad Taco…
By: Addison Wylie If you can bear with Don Jon’s vulgar vocabulary, you may find yourself swept up in Joseph Gordon-Levitt’s directorial debut. It’s a modern day romance with just the right dash of sweet and salty. Gordon-Levitt plays the title character, a guido with a heart who loves to spend time with his boys, work out, and scope out chicks. At the end of the day, he likes to come home and watch a…
By: Addison Wylie Mark Millar and John Romita Jr.’s universe they’ve created for their comic book Kick-Ass is severely twisted. Filmmaker Matthew Vaughn took that warped sense of humour and gritty violence to the big screen in 2010 where it was received with mixed reactions, but has earned cult status. Three years later, another filmmaker has decided to capture Millar and Romita Jr.’s insanity for a balls-to-the-wall sequel. For writer/director Jeff Wadlow, the hardest part…
By: Addison Wylie When a film has a trailer that’s as routine as Admission’s, it’s hard to excitedly anticipate it. The movie appeared to be feather light fare, coming through on all those chick flick clichés that feel all too familiar. And, how many movies and television episodes can Tina Fey star in where motherhood is a prominent theme!? Surprisingly enough, I found myself enjoying Admission and laughing quite often. I would even go as…
By: Addison Wylie Taking a break from his independent fare, filmmaker David Gordon Green got familiar with the Apatow brat pack – launching him to direct the uneven but oddly memorable Pineapple Express. His directorial hand was embraced and pushed him down a path helming louder movies like Your Highness and The Sitter, two off-putting crudities that aren’t worthy of Green’s time and talent. With Prince Avalanche, it feels as if Green is making the…
By: Addison Wylie The last thing I expect to feel during “riotous and outrageous sexual exploration” is snooze-inducing boredom. That was the case with My Awkward Sexual Adventure, an unadulterated Canadian sex comedy that sets up an array of absurd situations only to do nothing but fumble around. I hate pointing all the blame towards one individual, but with My Awkward Sexual Adventure, it’s tough not to do that when Jonas Chernick is the source…
By: Addison Wylie Upon seeing Jobs, the Ashton Kutcher led biopic about late visionary and Apple CEO Steve Jobs, I was interested to see how a spoof would be handled in the future given how much material Joshua Michael Stern’s film unintentionally supplies. However, the jokers at Funny or Die have jumped the gun and created the satire before Jobs was made – earning it the title of “the first Steve Jobs movie”. Don’t worry…
By: Addison Wylie Nat Faxon (who you may have seen playing bit parts in Broken Lizard films and playing the title male on the unfortunately short lived TV show Ben & Kate) and Jim Rash (who you may have caught on the cult television hit Community) have Academy Awards under their belts. Their screenwriting, along with Alexander Payne penmanship, earned all three of them a prestigious Oscar for their adaptive screenwriting in The Descendants. Now,…
By: Addison Wylie In the span of a month, Toronto has gotten two independent films that feature exotic locations starring a cast member of Degrassi: The Next Generation. While they’re both badly made, Adriarico My Love is not the worst out of the two. That dishonour still goes to Dev Khanna’s Fondi ’91. However, Nikola Curcin’s peculiar film is a shabby endeavour and just about the strangest film you’ll see this Summer – and, not…