By: Addison Wylie Adam Carolla plays curmudgeon comic Bruce Madsen in Road Hard, a semi-autobiographical sophomore effort co-directed and co-written by Carolla and frequent collaborator Kevin Hench. Maden feels like he’s in the shadow of everyone more successful than him. This film would probably feel the same way about its presence next to Judd Apatow’s Funny People. That said, I know a lot of people who quiver just thinking about Apatow’s expansive ode to comedians….
By: Addison Wylie Spike Lee took to Kickstarter to fund his latest joint Da Sweet Blood of Jesus. It was a bold move that opened up the floodgates for skeptics to start criticizing the filmmaker. Zach Braff endured the same with his campaign to make Wish I Was Here. Lee brings more of an argumentative crowd compared to Braff’s followers and naysayers. Some see Spike Lee as a self-serving loudmouth, but loyal fans believe he has…
By: Addison Wylie Serial (Bad) Weddings is a funny flick before it gets cold feet. Christian Clavier is the deadpan Claude Verneuil, a father who is constantly faced with cultural differences. Three daughters all marry over the course of three years, and all fall in love with men of different cultural backgrounds. The Verneuil’s welcome Chinese, Muslim, and Jewish ethnicities. The men are all standoffish with each other, the women are defensive, and the parents…
By: Addison Wylie Some will say I’m stubborn, but I can’t bring myself to watch any Bond movies starring Daniel Craig. I’m open to change and I like to be pleasantly surprised, but these new Bond movies simply don’t pique my interest. Craig is a fine actor, and the films bring extraordinary talent behind the camera. But, to me, Bond films should be flashy and grand. They should be implausible and crazy. I appreciate the…
By: Anthony King GOING IN: In this day in age, does the idea of more Vampires excite you? Or, has their rise to immense popularity and over saturation begun to turn you away? Personally I love vampires. I’ve read half an Anne Rice novel back in high school, so you can say I’m a pretty big fan of the subject. Just because there’s one series of films that are laughably bad and cheesy doesn’t mean…
By: Addison Wylie If Evan Goldberg and Seth Rogen are going to be filmmakers, they really should write their own material. Their directorial debut and sleeper hit This Is the End sustained itself because of their clever weisenheimer writing satirizing self-involved Hollywood socialites. With their highly anticipated and controversial second feature The Interview, the pair are responsible for the story along with Dan Sterling. However, this time, they’ve abandoned the screenwriting phase and let Sterling…
By: Addison Wylie Nickelodeon’s absurdist behaviour and its brand of transgressive humour have driven some parents crazy. However, it’s a unique knack that has struck hilarity with viewers who were considered Generation Y, or 90’s kids. Nick’s bizarre reality is what gave many of their television shows their edge, and most programming were not willing to push the absurdist envelope as far as Nickelodeon would. The station has cooled its jets as of recent with…
By: Addison Wylie I liked Craig Johnson’s indie The Skeleton Twins, but it’s a stickler of a movie to justify. It hardly has a narrative except when it peppers in a loose story towards the final leg, and it’s a character study that’s light on characterization. To say it’s either one or the other doesn’t feel right. Without the film’s stellar leading performances, The Skeleton Twins truly would be floating. Johnson has recruited Saturday Night…
By: Addison Wylie Mel Brooks hasn’t directed a film since 1995’s Dracula: Dead and Loving It. After watching the comedy for the first time, it’s quite possible this is where Brooks may have fallen out of love with filmmaking – a tragic end to our coverage of TIFF’s retrospective. Now, of course, I could be speaking out of school. Brooks has served as a producer on numerous projects (including some upcoming work in 2015), and…
By: Addison Wylie Last time we checked in with TIFF’s Mel Brooks retrospective, it was to recover old memories of his classic Blazing Saddles. Another reason why It’s Good to Be the King is a useful look back at Brooks’ filmography is that it allows audiences to see how the filmmaker’s sense of humour has aged. Unfortunately, Robin Hood: Men in Tights isn’t exactly a fond way to remember Mel Brooks’ signature silliness. His love for cinema and poking fun…