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Comedy

Reviews

Trainwreck

By: Addison Wylie Trainwreck is much more than a vehicle for rising comedic star Amy Schumer.  It’s easily Judd Apatow’s strongest work as a filmmaker, evidence that Schumer’s honesty flows through her long form screenwriting, and the best romantic comedy this critic has seen since 2008’s criminally underrated Definitely, Maybe. Definitely, Maybe is a standard sort of rom-com, where Trainwreck sends home the same type of charm but also reflects contemporary pessimism towards romance.  It…

Reviews

My Ex-Ex

By: Addison Wylie American gross-out comedies were so popular during the birth of the 2000s, Canadian cinema hopped on board.  I vividly remember Mark Griffiths’ road trip flick Going the Distance and Dave Thomas’ workplace scrub clad comedy Intern Academy being released in 2004, and producing piddly groans. Canadian filmmakers are hitting another “monkey see, monkey do” phase as movie goers flock towards the comedic chops of Judd Apatow and his filmmaking protégés.  Just like…

Reviews

The Wedding Ringer

By: Addison Wylie With The Wedding Ringer, you get what you came for.  But, just barely. It helps when you compare Jeremy Garelick’s film next to other recent R-rated comedies that take place around a wedding.  It’s far better than That’s My Boy, and is narrowly beat out by What’s Your Number?.  That’s a pretty pitiful way to look at things, but at this point, I’ll take whatever I can get. The Wedding Ringer also…

One-on-Ones

Wylie Writes’ One-On-One with Adam Scott

By: Shannon Page Adam Scott has been around for a while and his latest project, the indie sex-comedy The Overnight, is certainly not his first attempt at acting or producing.  Though he is probably best known for his work as Ben Wyatt on the television sitcom Parks and Recreation, Scott has also appeared in movies such as Step Brothers, The Aviator and Our Idiot Brother.  The Overnight stars Scott as Alex and Taylor Schilling (of…

Reviews

The Overnight

By: Shannon Page In a lot of ways, Patrick Brice’s The Overnight is a very rare film.  With a small cast and fairly straightforward plot (the entire movie was shot in only twelve days), The Overnight is a sex-comedy about parenthood and relationships that avoids the usual clichéd pit falls. When thirty-something parents Alex (Adam Scott) and Emily (Taylor Schilling) move to L.A. and are eager to meet new friends, they jump at a dinner…

Reviews

The Little Death

By: Addison Wylie You’ve got to hand it to Josh Lawson.  He quickly informs movie goers of his invisible boundaries in his dark comedy The Little Death.  There’s no second guessing.  The problem is he sets the tone with a sour scene starring a belle, her beau, and her rape fantasy proposal. The Little Death prominently displays sexual fetishes – some you’ve heard of, some you haven’t heard of, some you wish you never heard of…

Reviews

Wrong Cops

By: Addison Wylie Wrong Cops is from the mind of writer/director Quentin Dupieux, who found love from Midnight Madness audiences with his films Rubber and Wrong.  That same crowd may find themselves straining through forced smiles when they set eyes on Wrong Cops. Wrong Cops is the type of film you shoot during breaks on the sets of music videos.  I guess instead of taking advantage of his per diem and down time, Dupieux rounded…

Reviews

Hunting Elephants

By: Shannon Page Hunting Elephants certainly won’t be everyone’s cup of tea.  There are a few laughs sprinkled throughout, but don’t go into this film expecting a passive movie going experience. The film boasts an impressive international cast that includes Iraqi-born actor Sasson Gabai (who audiences may recognize, or not, from his role in 1988’s Rambo III), Moni Moshonov of Israel, as well as the incomparable Patrick Stewart as a struggling English actor looking for…

Reviews

Larry Gaye: Renegade Male Flight Attendant

By: Addison Wylie Larry Gaye: Renegade Male Flight Attendant is a vehicle made for Glenn Howerton (It’s Always Sunny in Philadelphia).  The leading role, however, has been given to Royal Pains’  Mark Feuerstein, who commits to the dopey womanizing role but is far too driven to drill in each punchline.  In Feuerstein’s defence, the actor is only following Sam Friedlander’s untamed filmmaking. The film deals with a lead character who is unfamiliar to his arrogance because he’s too…

Reviews

After the Ball

By: Addison Wylie I went into After the Ball already admiring three of its main stars: director Sean Garrity, co-writer Kate Melville, and actress Portia Doubleday.  After the Ball isn’t a type of film I get excited to see, but these are three people I’ve been wanting to see more of ever since they’re strong debuts. Garrity impressed me with his slow burn drama Blood Pressure, yet temporarily lost me when his filmmaking pizazz was…