Juggernaut has an element it excels in – troubled characters gradually bringing their brooding funk to an explosive spill. I’d like to believe writer/director Daniel DiMarco is aware of how his film works, but the filmmaker consistently sidesteps around this area of strength. I don’t think DiMarco is clueless, but he’s making too much trouble for himself to seek out a challenge.
Following the ubiquitous trend of safe and eccentric Canadian indies, Robert Cuffley’s dramedy features quirky characters in a small town anticipating an event that’s larger than life to them, but would be a modest footnote to anyone outside of their community.
By: Jessica Goddard Table 19 is a charming movie that’s accessible, easy to follow and doesn’t ask much of its audience.
Jesse Owens is a fascinating individual and he absolutely deserves a biopic, but Race is not it. Interestingly enough, the title gives away many of the film’s faults: it conflates racism and running to an uncomfortable degree. Stephen Hopkins’ movie is almost completely devoid of subtlety – it’s so naive, it hurts.