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Addison Wylie

Reviews

A Haunted House

By: Addison Wylie A Haunted House marks the first time, in recent memory, where actor Marlon Wayans has branched independently from his ever-growing-forever-acting family. I suppose he saw a glimmer of spoof-able light in these “found footage” horrors – namely the Paranormal Activity franchise – and decided to strike while the iron was still somewhat warm. It makes sense for Wayans to tackle the spooky, low budget franchise because it screams for the Wayans spoof…

Reviews

Movie 43

By: Addison Wylie Movie 43 is an anthology film with a stacked cast. It’s been pushing its alleged “audacity” and “outrageousness” in order to get YOU in that theatre seat. However, there is something to be said about how much the marketing has pushed that angle in our faces. When a movie is urging moviegoers to focus on an element about the movie (in this case, its sheer outlandishness) instead of the actual movie itself…

Reviews

Hansel & Gretel: Witch Hunters

By: Addison Wylie What do you say about a movie that can be summed up in a baffled head shake? You’ll find yourself doing that a lot if you dare endure Tommy Wirkola’s Hansel & Gretel: Witch Hunters. The premise for this unnecessary new spin on the classic fairy tale feels like a studio executive playing a game of chicken with Hollywood – seeing just how far they could take a ridiculous story and milk…

Reviews

Mama

By: Addison Wylie Mama is another horror film “presented by” creep master Guillermo del Toro. So, it’s no surprise that Andrés Muschietti’s new year horror, Mama, resembles 2011’s Don’t Be Afraid of the Dark, another film that was “presented” by del Toro. That’s going to be either a deal maker or breaker to those who saw the Katie Holmes driven flick about small, scary creatures that occupy a looming and ominous house. As someone who…

Reviews

Texas Chainsaw 3D

By Addison Wylie As far as sub-standard horror goes, Texas Chainsaw 3D is as by-the-numbers as scary movies go; if you skim the surface. However, I think John Luessenhop’s film is smarter than it looks and deserves more credit than it’s throwaway January release date gives it. Texas Chainsaw 3D takes us to the beginning of the long-running story; except this time, it wishes to wipe the slate clean. This sequel to the original Texas…

Reviews

The Impossible

By: Addison Wylie The Impossible feels like a little-film-that-could because of its late release date. Which is funny because the film itself miraculously captures the intensity and the devastating outcomes of a cataclysmic tsunami – which is something big budget blockbusters long to do. J.A. Bayona’s The Impossible is a fantastic film with harrowing performances by Ewan McGregor, Naomi Watts (who has earned a well deserved Oscar nomination for her role) as well as the…

Reviews

Monsters Inc. 3D

By: Addison Wylie 2012 was Disney’s year to prove to audiences that 3D conversions aren’t all that bad. That said, the year started with the terribly converted Beauty and the Beast, but then moviegoers were treated to a flawless conversion of Disney/Pixar’s classic Finding Nemo. Now, we find ourselves at the theatre to witness the last of Disney’s 3D offerings of 2012 – a modest and highly enjoyable converted Monsters Inc. Monsters Inc. 3D and…

Reviews

Safety Not Guaranteed

By: Addison Wylie With his first feature film, director Colin Trevorrow (with the help of screenwriter Derek Connolly) has conjured up this gem that pokes fun at, while still embracing adolescence and growing up. It all starts with our lead female played by character actor Aubrey Plaza – who has always had a certain quality to her presence and to her line-reading that can be summed up in one word: pubescent. In Safety Not Guaranteed,…

Reviews

Les Misérables

By: Addison Wylie Tom Hooper wowed audiences with The King’s Speech. Well, most audiences – I thought it was inspirational but ordinary, with stylistic cinematography that overshadowed many elements of the story. Nonetheless, his film won multiple Oscars; including Best Picture. He may follow suit with his adaptation of Les Misérables; in both the award garnering sense and the cinematography sense. Hooper has brought his shooting style to his latest feature following Jean Valjean (played…

Reviews

This Is 40

By: Addison Wylie I would love to see what writer/director Judd Apatow could do with a film that punches out after 90 minutes – including credits. This Is 40 starts out strong and funny, but is then torpedoed by needless subplots that are tediously stretched out causing the runtime to slowly expand. Apatow has shown with his previous directorial work that he loves to let his material breathe. Not in a pretentious way, but in…