By: Addison Wylie A film can tell you nothing for no good reason, having you frustrated until the final frame. Sometimes, a movie can keep everything a secret and get away with it because of how intriguing it is. Alex van Warmerdam’s haunting Borgman is a magnificent example of the latter. Borgman is a weird flick, but daring because of that. The skillful filmmaker has set up his plan masterfully, and has the average movie…
By: Addison Wylie This weekend, a form of torture…er…a “spellbinding” new documentary called Manakamana (pronounced Mana-Ka-Mana as suggested by the film’s poster) will be released upon the public. Those moviegoers should buckle up for a stinker, and maybe bring a pillow while they’re at it. To be honest, I’m surprised I’m writing a review. About halfway through this aggravating experience, I was predicting I would be curled up in the fetal position, rocking back and…
By: Addison Wylie The Case Against 8 takes you right to the very beginning of the scandalous, distressing times involving California’s passing of Proposition 8. Watching clips of Prop 8 propaganda and observing professionals talking in all seriousness about the benefits of the amendment is like falling through the looking glass. It’s hard to believe that this period existed and that 18,000 couples with different sexual orientations were told their marriages were voided. Shooting and…
By: Addison Wylie Me and You marks the return of Bernardo Bertolucci as he cozies his way back into the director’s chair. After all, it’s been a decade since audiences caught Bertolucci’s controversial, NC-17 drama The Dreamers. The filmmaker has toned matters down for Me and You compared to the graphic content in The Dreamers, but his latest is unique in its own way. I wouldn’t go as far as to say Me and You’s…
By: Addison Wylie There should be entertainment in watching something as expensive and clueless as Winter’s Tale foul up as bad as it does. To do so, there has to be peculiar performances or unusual story elements to keep us guiltily hooked. Winter’s Tale has these, but it’s empty core covers any unintentional laughs. It’s a film serviced by a writer/director who can’t fully comprehend the source material he’s adapting. Akiva Goldsman has been a producer on…
By: Addison Wylie My admiration for Kevin Smith comes and goes. If there’s one trait of his that I’ll always appreciate, it’s his choice to help up-and-comers in the film industry. Smith helping out Matt Johnson with his incomparable indie The Dirties is an excellent example of his compassion towards a new generation of storytellers. Jay and Silent Bob’s Super Groovy Cartoon Movie is another one of these projects. Smith has stated that Jay and…
By: Addison Wylie When audiences aren’t following the documentary’s main court case involving 83-year-old jewel thief Doris Payne, Payne is telling us about her wild history. It’s during these stretches where The Life and Crimes of Doris Payne has all the snazziness of a grand scale heist movie bundled up within a teeny, tiny doc. We get great amusement watching Payne recollect about past “jobs” and how she got away with it. However, it looks…
By: Addison Wylie Right off the bat, Blood Glacier sells itself short by the title. It’s a title that sounds as if its pandering towards the crowds who giddily eat up ratty battle schlock that stick an experiment gone wrong against a super-sized version of Earth’s deadliest fish. Blood Glacier goes by another title, The Station. It’s a title that’s not so much bad as it is vague. If I had to pick between the…
By: Addison Wylie Ever since The Notebook’s crowd pleasing fame, there’s been a line of Nicholas Sparks adaptations brought to the big screen. Because these films have hit home runs at the box office, it wasn’t surprising to see other romantic book-to-film conversions follow suit. The trailer for The Fault in Our Stars gave off that cover of being “just another one of those romantic movies”. Movie goers who have read and fallen in love with…
By: Addison Wylie Stylistically, The Double is – so far – the best film I’ve seen all year. Richard Ayoade – an indie filmmaker who you may have recognized as “that random guy with the hair” on posters of 2012’s The Watch – brings a creation that does exactly what a film should do. The Double transports viewers to another world. Ayoade has built industrialized settings that emulate a rigid dream. The filmmaker also uses…