By: Jessica Goddard From the title to the opening scene to the whole conflict at its core, Goodbye Christopher Robin is a movie determined to make you rethink the context in which A.A. Milne (Domhnall Gleeson) wrote the beloved Winnie the Pooh stories (then Winnie-the-Pooh). There’s nothing wrong, in theory, with a biopic about A. A. Milne, but why this movie chooses to focus on A. A. Milne being a bad father who apparently ruined his…
Articles by Wylie Writes Staff
By: Jessica Goddard Mark Felt – The Man Who Brought Down the White House will work for those already familiar with the Watergate scandal of the 1970s, but Peter Landesman’s film will be less interesting to audiences not well-versed in political history. The screenplay doesn’t offer much exposition and relies on the smarts of its audience to keep up and understand.
By: Jessica Goddard The writing instructor continuously trying to put down his most gifted student in hopes of making him better and stronger. A father who doesn’t want to indulge his son’s delusions of a career as a professional writer. The sight of a Capital A “artist” bent over his typewriter in an otherwise empty, white room. These are just a few of the many contrivances the viewer of Rebel in the Rye is subjected…
By: Jessica Goddard Violeta Ayala’s Cocaine Prison is a Spanish language documentary that follows the intertwined lives of three people; two of which are entangled in the Bolivian justice system for their involvement in the illegal cocaine trade.
By: Jessica Goddard Kathleen Hepburn’s Never Steady, Never Still is a serious, greyscale, dragging meditation on subjects so inherently sombre, it’s practically masochistic to sit through the whole film without allowing yourself a break.
By: Jessica Goddard Barry Avrich’s Blurred Lines: Inside the Art World is a well-paced, informative documentary about the otherwise largely inaccessible world of producing, marketing, and selling high end art.
By: Jessica Goddard Mina Shum’s Meditation Park is an engaging, quirky, and empowering film about the overdue self-actualization of a Vancouver woman (Cheng Pei-pei) in light of the discovery of her husband’s affair. This thoroughly modern film also expertly highlights the immigrant experience in multicultural Canada, while making clear that the narrative is culturally universal. There is an exquisite balance of humour and poignancy in the writing, strengthened by an excellent cast.
By: Jessica Goddard This detailed and thoroughly layered period drama intertwines two stories against the backdrop of the Catholic Church’s controversial reforms in the 1960s, known as Vatican II.
By: Jessica Goddard Mary Shelley is an appropriately dramatic and sentimental depiction of the early life of 19th century writer Mary Shelley (Elle Fanning), as well as a satisfying exploration of Shelley’s influences in writing her now-classic novel, Frankenstein. The film focuses heavily on the arc(s) of Mary’s relationship with her eventual husband, Percy Bysshe Shelley (Douglas Booth); always emphasizing the ways in which Mary’s famous Gothic novel is affected by the various traumas of…
By: Jessica Goddard Home Again is for Hollywood, by Hollywood, about Hollywood. If you can deal with that, you might enjoy this safe and well-meaning romantic comedy. Hallie Meyers-Shyer’s Home Again (a title which never ends up making any sense) is rarely laugh-out-loud funny, but it’s often endearing in a snort-and-smile kind of way.