By: Jessica Goddard Woody Allen’s Wonder Wheel is colourful, melodramatic, deliciously tacky cinematic theatre driven by an intriguing premise and infused with refreshing nostalgia. It’s visually delightful, and the quirky setting and quirkier characters sustain curiosity even if those characters don’t feel totally real.
Articles by Wylie Writes Staff
By: Nick van Dinther There are so many wonderful and creative upstart filmmakers putting out fantastic work. Whether they’re film students or people with a true passion for the industry, they do their best to fund an idea, bring it to life, and share it with the world. When they decide to release the project for profit however, it needs to meet a certain standard. Brownwell Entertainment’s Friends Don’t Let Friends, a horror/thriller about covering…
By: Jessica Goddard When you first hear the plot of Wexford Plaza, you think you’ve probably seen this movie before or know exactly what its angle will be. But you haven’t, and you don’t. This 80-minute-long film has everything: humour, relatability, great pacing, precise and controlled energy, and a thoughtful commentary on the reality of our times.
By: Trevor Chartrand As a film that explores the creative process, Ryan M. Andrews’ Art of Obsession fails to bring much originality to the table. This slow-paced, predictable little story takes itself too seriously, grasping aimlessly at faux-philosophical musings all along the way. The film is an unfortunate mix of unconvincing plot, passionless performances, and a non-existent visual style. It’s the kind of film I can still enjoy, however with a more ironic appreciation than…
By: Trevor Chartrand You’re Soaking In It is a cautionary doc more thrilling and foreboding than any Black Mirror episode because, unlike the series set in the near future, the events of Scott Harper’s documentary are happening NOW.
By: Jessica Goddard Richard Linklater’s Last Flag Flying is a touching, exquisitely-performed road trip drama, full of insight and engaging questions for the modern era. This is a movie that never stops breaking your heart, while it keeps you guessing at all the right moments. It’s both patriotic and skeptical; somehow inspiring and disillusioning.
By: Trevor Chartrand While the concept of a homicidal Santa Claus has certainly been explored in slasher films like Santa’s Slay and Silent Night, Deadly Night, director Paul Tanter has found a surprisingly fresh approach to the ‘Killer Claus’ trope in Once Upon a Time at Christmas. This fun and festive Canadian B-movie will give viewers a reason to keep the Christmas lights on overnight.
By: Trevor Chartrand Kill Order is essentially a Crank film without the charisma or charm. It tries hard to be pulse-pounding and slick, but this punch-a-minute action flick is all fist and no fury. Given the film’s structure, it’s not surprising to learn writer/director James Mark has a lot of stunt department work on his resume, including action-driven films like Jumper and Pacific Rim. Kill Order favours style over substance, desperately stringing a series of…
By: Nick van Dinther The title Three Billboards Outside Ebbing, Missouri tells you exactly what the movie is about. If you peek behind that literal title, you’ll find one of the best films of the year.
By: Trevor Chartrand Showcasing the contrast between two farming families in Mississippi, Mudbound examines the overbearing racist climate of the southern states in the 1940s. Based on a novel of the same name and directed/co-written by Dee Rees, the film takes place both during and after the Second World War. When a white family takes ownership of a Mississippi farm, they find themselves living in the fields among the black farmhands who will work for them….