In Canada, the only film that dares to go toe-to-toe with Marvel Studios’ Avengers: Endgame is a limber, well-meaning flick named The Public, a star-studded drama written and directed by Emilio Estevez. If only it was a little bit more mature, then it would’ve been the right pick to counter program against the blockbuster juggernaut.
The Con Is On is a screwball crime comedy starring actors who have no problems playing up the absurd angles of an unconventional heist. The intention of the film is to bust the audience into fits of laughter but, instead, the only thing that’s busted is the film itself.
Garry Winogrand: All Things are Photographable is a slow burn. Directed by Sasha Waters Freyer, the documentary focuses on photography legend Garry Winograd whose unique approach to street photography captured the spirit of American life in the 1960s in New York and later, through the 1970s and 1980s, in Texas and California. As the film emphasizes, Winogrand’s method could be considered ahead of his time in that he shot using analogue technology without regard for…
Teen Spirit is an uplifting contemporary musical that will be a hit with its teenage crowd. The swooning camera work, the boosted colour palette, and its covers of catchy electro-pop tunes are all advantageous qualities towards the film’s pep.
By: Trevor Chartrand You’ll be hard pressed to find a more Canadian film than The Grizzlies; the inspiring true story of an impoverished Nunavut community battling mental illness by creating a sports team. Over ten years in the making, this long-time passion project of director Miranda de Pencier is a not only a well-made dramatic film, but also a small taste of the type of media representation First Nations and Inuit citizens deserve.
Curiosity is a quality that keeps on giving. M. Night Shyamalan, for instance, is a filmmaker who is eager to explore his own craft. And while his back catalogue has included projects that have snowballed out of his own range, he’s at least owning his ambition and finding original stories to tell audiences. His latest collaborations with indie empire Blumhouse Productions have been great vehicles to anchor his passion projects and visual filmmaking. Such is…
Hellmington centres on Detective Samantha Woodhouse, distressed over the recent death of her father and tormented by a forgotten yet mysterious case of the disappearance of a former high school classmate. In order to piece together the puzzle of the latter, Samantha reconnects with her past while she’s in town for the funeral; including meeting old acquaintances and people who were close to her late dad.
By: Jessica Goddard Little is fun – which of course is film-review-speak for “a sloppily written comedy trying its best.” It’s corny, preachy, and meandering, but the energy is good and the lead performances are sharp.
By: Jolie Featherstone Director Neil Marshall (The Descent) brings his signature blend of murky macabre and blood-soaked adrenaline to Hellboy, the latest cinematic incarnation of the beloved Dark Horse graphic novel series. Starring David Harbour of Stranger Things fame as the titular anti-hero and Milla Jovovich as Nimue (also known as the Blood Queen), Marshall’s Hellboy is a genre-bending departure from the earlier screen adaptations directed by Guillermo Del Toro. This installment does not call…
The Brink should be a more controversial movie than it is. For a little over 90 minutes, audiences closely observe Steve Bannon, former chairman of right-wing news outlet Breitbart News and former chief strategist for President Donald Trump. Isn’t it insane for Bannon, a highly criticized public figure, to volunteer himself to be the subject of a documentary?