By: Trevor Chartrand Based on a play of the same name, Thom Fitzgerald’s Splinters would have been better off staying on stage. While a perfectly fine motion picture, the film is essentially an adequate and frankly mediocre entry into this year’s TIFF line-up.
After touring the festival circuit and sweeping the hearts of many movie goers, Tulipani – Love, Honour and a Bicycle finally makes its way into theatres to claim more adoration from audiences.
By: Trevor Chartrand Sparse and atmospheric, writer/director Benjamin Gilmour’s Jirga is a visually stunning entry in this year’s TIFF lineup.
Jamie Adams’ Alright Now, a romantic dramedy following a rock star following a particularly brutal double breakup, boasts that it is completely improvised. Here’s the funny thing about improvisation: you need actors who are good at it.
The Netflix Gods heard my distain for the streaming service’s teen flick hit To All the Boys I’ve Loved Before, and they’ve gifted me a charming high school comedy titled Sierra Burgess Is a Loser as an apologetic gesture. Call it coincidental timing, I call it wishful thinking.
Sergei Loznitsa’s The Trial documents exactly what happens when dictatorial governmental powers are allowed to flourish and continue without question.
Filmmaker Zack Russell and actor Kayla Lorette team up for another surreal short film with 7A.
Featured in the festival’s Wavelengths selection, Andrea Bussmann’s Fausto shows audiences why this particular programme is so important for a well-rounded TIFF experience.
Chilly character drama Cardinals revolves around a trauma that ends in death and a prison sentencing. And while it appears justice has been served, interest flares up when suspicions drudge up the past.
Canadian indie filmmaker Ross Munro clings to the past in A Legacy of Whining.