Hounds of Love, the latest horror export from Australia, is unpleasant to a fault.
By: Jessica Goddard The Belko Experiment, directed by Greg McLean (Wolf Creek) and written by James Gunn (Guardians of the Galaxy), is a cruel, manipulative, needless exploit into pure violence and gore.
Set in 2007, after the official end of the Iraq war had been announced, The Wall follows two American soldiers who investigate the area where civilian workers were attacked during the construction of an oil pipeline. The soldiers find themselves pinned behind a crumbling wall by an enemy sniper and struggling for survival.
Bas Devos’ feature film debut Violet is an unforgettable movie. There’s so much to admire about it: its cinematography, its patience, and Cesar De Sutter’s outstanding introverted performance. However, Devos’ daring ambition to visualize inner conflict through minimal dialogue may be the film’s strongest achievement.
I love my mom, which is why I won’t be taking her to see Mom & Me for Mother’s Day. Well, to be fair, we live four hours apart from each other, so we were planning on spending this day apart anyways – her card is in the mail. But, if there were a sudden change of plans and we could watch a movie together, I would still insist we steer clear of Ken Wardrop’s doc.
Botanist and author Diana Beresford-Kroeger guides us through the forests of Vancouver Island, California, Germany, Japan, and Ireland in Jeff McKay’s documentary Call of the Forest: The Forgotten Wisdom of Trees. Like many ecological documentaries, the film emphasizes the relationship between trees and other organisms that make up complex forest ecosystems as well as how this ecosystem is connected to the earth’s oceans and atmosphere.
By: Nick Ferwerda Buster’s Mal Heart is a psychological thriller that will keep you guessing until the end.
The ReelAbilities Film Festival returns to Toronto on Wednesday, May 10 after a successful debut. The festival, centring around noble stories of disability cultures, will screen feature films and shorts around the city until Thursday, May 18.
On paper, Oren Moverman’s The Dinner, based on the novel by Dutch author Herman Koch, sounds similar to the 1981 chamber piece My Dinner with Andre, but with a darker twist. The intellectual wit of Andre isn’t present here, replaced instead with elements of thriller and drama.
After nearly a decade of bad comedies starring Adam Sandler, it feels weird to call his recent vehicle “good”. It’s also funny, good-natured, and features Sandler at the top of his form. Somebody pinch me.